Camp22 - Crank Dat Yank

This group is also known as Cash Camp Productions.  I don’t see this doing anything, period.  2/10

White Lion - Return Of The Pride

“In the late ’80s, the calmly cracking campfire tone of singer Mike Tramp—born in Denmark and brandishing a blond mane worthy of his band’s name—set White Lion apart from the hair-metal pack. Back now with a new, keyboard-augmented lineup, Tramp’s best when he’s most ambitious—”Battle of Little Big Horn” and the eight-minute “Sangre De Cristo” are complex compositions, exuding a spooky history-book buzz. “Live Your Life” and “Finally See the Light” are pristine hard pop, made anthemic with Thin Lizzy changes and choruses hooked like the Who or Bay City Rollers. Jamie Law’s power chords thrash loud enough to compensate for intermittent moments of mush. And while live reprises of a pair of 20-year-old hits feel extraneous, the Bad Company riff opening “When the Children Cry” is a neat touch. —Chuck Eddy”

Jason Aldean - Relentless

This guy has a good country voice, and this is a great song.  8/10

Willie Hustle feat 334 Mobb - Money Dance

Kind of a strange song, don’t really see this doing a whole lot.  However there are flashes of brilliance on this track.  5/10

The Game feat Keyshia Cole - Pain

These two actually form a nice combo. The Game has tight lyrics, and Keyshia provides a nice hook. 7/10

Robert Walter - Cure All

“Robert Walter plays the Hammond organ the way it was meant to be played —bold and free-swinging. Though he also plays other keyboards on “Cure All,” the Hammond is definitely the right tool for this trio album’s juiced-up soul-jazz. Walter’s vigorous attack is matched by the frisky, adept rhythm section of New Orleans mainstays James Singleton (bass) and Johnny Vidacovich (drums). Like Walter, they refuse to be restrained by boundaries, so this energetic set owes as much to the Meters as to Jimmy Smith. With the exception of an elastic cover of Boney M’s “Rivers of Babylon,” the songs are all originals, highlighted by the title track, a funky New Orleans march with attitude. The expansive “Parts and Holes” offers room for snappy solos, but mostly, these guys are locked in a three-way conversation that is almost always loud, colorful and illuminating. —Wayne Robins”

Lil Wayne feat Gorilla Zoe & T-Pain - Lollipop Remix

I’ve said it once, and i’ll say it before, this has no business on the radio. Terrible song. 4/10

Mariah Carey - I’m That Chick

Has the potential of being her next single, although i think “Bye Bye” is coming next (and the remix with Jay-Z) 7/10

Bizzy Bone - Get Bizzy

Tight lyrics, however won’t get any love on the radio. 6/10