Kid Rock - Lowlife (Living The Highlife)
June 11, 2009 by Willis
Filed under New Tracks - Rock

Kid Rock - Lowlife (Living The Highlife) - You rarely see a bonus track get released as a single, but it’s the case here. It’s got some funny lyrics, and it could prove to be a decent rock / mainstream hit. The jury is still out for me. 7/10
Click below to listen (not the original video)
Kid Rock ‘On Fire’ In The Studio
March 16, 2009 by Willis
Filed under Music News

Kid Rock ‘On Fire’ In The Studio
Kid Rock says he’s “on fire” in the studio, which has led him to scuttle plans to tour this spring in order to finish work on his follow-up to 2007’s double-platinum album “Rock N Roll Jesus.”
“I really feel like I’ve kind of got this figured out,” the rapper and singer-songwriter tells Billboard. “I think I can make an equally good record, if not better than the last one — which is once again putting quite a weight on your shoulders. But I do like the pressure.”
Rock has been working at his Allen Roadhouse studio in the Detroit suburbs with his Twisted Brown Trucker Band — particularly guitarist Marlon Young, who co-wrote several songs on “Jesus” — as well as good friend Uncle Kracker, longtime engineer Al Sutton and producer/engineer Mike E. Clark (Insane Clown Posse, George Clinton, Primal Scream). Rock hopes to have the album finished before he hits the road this summer and put it out in the fourth quarter.
“Obviously I had a great year in 2008,” Rock says, “one of my best since (1999’s “Devil Without a Cause” album) — maybe even better considering the times we’re in. We’re at a point where you do something and then it’s forgotten, and I’ll have to prove myself again, and that’s just incredible. People need to be reminded sometimes, and sometimes being humble doesn’t do that so well.”
Kid Rock - Blue Jeans And A Rosary
February 7, 2009 by Willis
Filed under New Tracks - Country, New Tracks - Rock

This could do pretty well on country and rock stations, but I don’t see a mainstream crossover in its future. 7/10
Click below to listen (not the original video)
Trick Trick feat Esham, Proof & Kid Rock - 2getha 4 Eva
November 11, 2008 by Willis
Filed under New Tracks - Hip Hop

Detroit area hip-hop track, basically only for mix cd’s. No shot at radio, still slightly above average. 6/10
Click below to listen (not the original video)
Kid Rock - Roll On
October 14, 2008 by Willis
Filed under New Tracks - Rock

I’m really diggin Kid Rock’s new style. Great follow up single to “All Summer Long”. 8/10
Click below to listen (Original Video)
Kid Rock
September 19, 2008 by Willis
Filed under Artist Of The Day

“One of the unlikeliest success stories in rock at the turn of the millennium, Detroit rap-rocker Kid Rock shot to superstardom with his fourth full-length album, 1998’s Devil Without a Cause. What made it so shocking was that Rock had recorded his first demo a full decade before, been booted off major label Jive following his Beastie Boys-ish 1990 debut, Grits Sandwiches for Breakfast, and toiled for most of the decade in obscurity, releasing albums to a small, devoted, mostly local fan base while earning his fair share of ridicule around his home state. Nevertheless, Rock persevered, and by the time rap-metal had begun to attract a substantial audience, he had perfected the outlandish, over the top white-trash persona that gave Devil Without a Cause such a distinctive personality and made it such an infectious party record.
Bob “Kid Rock” Ritchie (b. Robert James Ritchie, January 17, 1971) grew up in Romeo, MI, a small rural town north of the Detroit metro area. Finding small-town life stiflingly dull, Ritchie immersed himself in rap music, learned to breakdance, and began making the talent-show rounds in Detroit. Inspired by the Beastie Boys’ Licensed to Ill — white performers fusing rap and hard guitar rock — Kid Rock recorded his first demos in 1988, and eventually scored an opening slot at a Boogie Down Productions gig. That performance, in turn, led to a contract with Jive Records, which issued Kid Rock’s debut album, Grits Sandwiches for Breakfast, in 1990. Produced by Kid Rock, Too Short, and D-Nice, the album was heavily derivative of Licensed to Ill. Rock briefly became notorious when a New York college radio station aired the album’s profanity-laced ode to oral sex, “Yodelin’ in the Valley,” and was fined over $20,000 (a judgment later rescinded). However, despite a tour with Too Short and Ice Cube, Jive didn’t see much of a future for Kid Rock and dropped him from their roster.
Moving to Brooklyn, Rock hooked up with the small Continuum label, and moved his brand of rap further into hard rock with The Polyfuze Method, released in 1993. Reviews were mixed, with some critics praising the record’s humor and eclecticism while others dismissed it as awkward and forced. The EP Fire It Up followed in 1994, appearing on Rock’s own Top Dog imprint (which was still distributed by Continuum). Rock eventually returned to the Detroit area and began work on another album; recorded on a shoestring budget, Early Mornin’ Stoned Pimp was released in 1996. Although sometimes forced to sell bootleg dubs of his own records to pay the rent, Rock set about forming a full-fledged backing band, which he dubbed Twisted Brown Trucker. While its membership fluctuated early on, rapper Joe C. (b. Joseph Calleja) was one of the first to join; a longtime fan and frequent concert attendee, Calleja caught Rock’s eye in 1994, partly because of his diminutive stature (due to a digestive condition known as celiac disease, which required both dialysis and extensive medication) and partly because of his encyclopedic knowledge of Rock’s song lyrics. The rest of the lineup settled around mostly Detroit-area musicians: guitarists Kenny Olson and Jason Krause, keyboardist Jimmy Bones (b. Jimmy Trombly, he handles the basslines himself), drummer Stefanie Eulinberg, DJ/turntablist Uncle Kracker (b. Matt Shafer, who had been with Rock since the early ’90s), and backing vocalists Misty Love and Shirley Hayden.
As rap-metal acts like Korn, Limp Bizkit, and Rage Against the Machine began to dominate the hard rock landscape, Atlantic Records decided to take a chance on signing Rock. Devil Without a Cause didn’t do much upon its initial release in August 1998, but a big promotional push from the label and MTV helped make the album’s second single and video, “Bawitdaba,” a nationwide smash. The follow-up, “Cowboy,” achieved similar success, and suddenly, after a decade of trying, Kid Rock was a superstar with a Top Five, seven-times-platinum album and a gig at Woodstock ‘99. While pondering how to follow up Devil, Rock acquired the rights to his indie-label recordings and remixed or re-recorded the best material for The History of Rock, which was released in the summer of 2000 and featured some new songs as well. Sadly, after being forced to take a break from touring a year earlier by his medical difficulties, Joe C. passed away in his sleep on November 16, 2000.
Even with a tragedy like this in his life, Rock continued work on his follow-up to Devil Without a Cause. The media focused more on his relationship with actress Pamela Anderson than his musical career, which many magazines were beginning to ridicule. His DJ, Uncle Kracker, had a successful solo career during the spring and summer of 2001, leaving Rock without one of his most frequent collaborators. Still, by the winter of that year he had completed work on Cocky and had released “Forever” to success on rock radio. In fall 2003, Kid Rock returned with a self-titled effort. A cover of Bad Company’s “Feel Like Makin’ Love” marked the first single. The cover art to his 2006 live album, Live Trucker, paid tribute to Bob Seger’s Live Bullet. ~ Steve Huey, All Music Guide”
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